Early Spring Fiber Projects

I’ve managed a few fiber projects in recent weeks around all the spring time farm work.  I’ve been making inkles over the winter and this week did two from 100% Dancing Waters Farm yarn (70% mohair and 30% wool).  The draft is the same for both as they were both done with the same threading, but I used white for the weft of one and black for the weft of the other.  The difference is only in the edge, as the last two threads are black.  I prefer the solid black edge, but the white ticking version along the edge is pretty too and the difference in appearance between the two is not huge.  Using a tweed for the center section gives it a gentler look. Will go for greater contrast on my next project for comparison.

 

DWF Yarn Inkles

DWF Yarn Inkles

 

Another project was spinning a variegated fleece purchased at the 2013 Garden State Sheep Breeders Fleece Show and Sale.  It is a black and white fleece, and the color of some of the locks change from white to black along the lock.  According to the sheep’s owner, the color change along the lock reverses from year to year.  I thought this would be perfect for hand spinning from the lock as the beautiful natural variegation would end up a uniform grey if it were carded into roving.

Kiss's Variegated Fleece (Cheviot)

Kiss’s Variegated Fleece (Cheviot)

Unfortunately the white sections of the locks where too short (~0.25-0.33 inches) to give me as much color separation as I had hoped.  Also many of the locks had a fair amount of weather damage on the ends (tippy).   This meant pre-drafting before I spun the locks versus spinning right from the locks after washing.  Since there was less color separation than I had hoped, the fiber was not consistently even and there was some VM in the fiber, I went for a thinner single and then plied it versus going with a fat singles or  a Navajo ply (ie- versus preserving the color changes in the single)

Kiss's Variegated Fleece Handspun 2 Ply

Kiss’s Variegated Fleece Handspun Into 2 Ply Yarn

So…it did not turn out as I had imagined but it is still a pretty skein.  Most of the rest of the fleece is a gorgeous pale steel grey and I look forward to spinning the rest of it.  My plan is to use this skein in a tapestry rug, thinking it has perfect color variations for a cat outline but it would be good for a sheep too!

Another fun project was making coasters out of DWF roving.  I did a needle felted sheep coaster (70% mohair, 30% wool):

 

Sheep Coaster From DWF Roving

Sheep Coaster From DWF Roving

As well as hand braiding three colors of roving, then stitching them together.  Next I needle felted one, wet felted another for comparison.  I much preferred the needle felted version.

Coaster from DWF Roving

Coaster from DWF Roving

 

I’ve gotten my tapestry loom warped and my drawings taped up behind the warps, ready to go.  Now to select my background colors and get started!

Adding Heddles to Tapestry Loom

Adding Heddles to Tapestry Loom

Arctic Air Returns and Thoughts on “Natural” Dying

After 9 hours of snow shoveling I’m ready to sit at the computer and rest!

In between snowstorms I boiled a big batch of black walnuts I collected in the yard during the Fall.   After collecting the nuts the outer shell has to be removed as that is the only part used for dying.  I use a hammer to crack the outer shell, then peel the shell away and dump then into a pillow case and tie it closed.  Next I fill a big pot holding the pillow case full of walnut shells with water and boil for about an hour to make the walnut liquor used for dying.   Since the walnut shells are in a pillow case, the walnut shells are self filtered, I just have to pull the pillow case out of the pot for a clean, filtered walnut liquor.  I then boiled the filtered walnut liquor with about 2 pounds of mohair locks for another hour, then washed them in an old washer.   Washing wool or mohair is really just a series of rinses since you can’t agitate the fiber – unless you want felt!

So if you add up the time to dye 2 pounds of mohair it is at least 3 hours (~an hour to collect the walnuts,  another to crack them, starting the fire, filling the pots, pouring the liquor off and starting a new pot about 30 minutes, and another 30 minutes for washing – most of the time is not continuous, but requires constant checking to see how things are going).  2 pounds of mohair is about all that fits in a big 16 quart pot, so it’s the largest batch I can reasonably do.  Wool has a much greater volume for the same weight as mohair so much less wool will fit in the same sized pot as mohair.  A lot of labor for such a small amount of fiber!

I love dying with walnuts because I have lots of black walnut trees so the out of pocket is cost is excellent (free!) and it requires only one step (boiling to extract the dye) and no mordant (pretreating with another chemical to ensure permanence of the dye) is required as is the case for most “natural” dyes.

Walnut Dyed Mohair Locks Jan 2014 IMG_6398

Black Walnut Dyed Mohair Locks

I often have customers ask me if I dye with natural or chemical dyes.  How to answer?  All dyes, even those derived from natural sources (vs commercially produced industrial chemical dyestuffs) are still chemicals, and there is no way to dye without using a chemical.  Dying is the chemical process of fiber reacting with a chemical (or mix) to alter it’s observed color.  And naturally derived chemicals are not necessarily  safer than commercially produced chemicals either.  Many natural dyes require mordanting (pretreating) with chromium which is very toxic.  Alum can be used as a mordant and it is much safer but it also produces a different effect on the final color than chromium.  Even with black walnuts which can be used without a mordant,  it is well known that black walnuts contain a chemical that suppresses plant growth.  Thus walnuts have a toxic effect on other plants.  Evolutionarily it improves the odds of the walnut growing into a great tree, but at the expense of other plants that might be trying to grow in the same general area.   I heartily agree with philosophy of minimizing impacts to the environment, but which path to choose is not always a straight forward nor clear decision.

Related is the broader concept of ‘nature’, which can be beautiful and soul filling but is also quite brutal and does not think nor care what is destroyed vs saved.  Many people are so far removed from nature that they do not realize how thin an edge life walks and how little impact people have in the short run.   I am reminded of this constantly as it is so  difficult to keep my animals safe and in good health.  It is so hard to survive in nature that I find it amazing that any wildlife exists as sadly I lose animals despite continuous intervention.

Jessie and James in the Snow IMG_6490

Jessie and James